"Alexis Aimé, as the Female Chorus, was the audience’s moral compass; though removed from the story, her compassion and concern for Lucretia was palpable, especially in “She sleeps as a rose.”  Aimé, a soprano, has an impressive range; she shone in her strong lower register as well as her upper one."

                DC Metro theatre Arts,

                The Rape of Lucretia 2016

my story

Alexis Aimé

Soprano

South Carolinian Alexis Aimé has been praised for her “rich-toned” and “gleaming” soprano voice in her performances across the United States and in Europe. She completed her Master of Music Degree in Opera Performance at University of Maryland’s Opera Studio. In fall 2016 she performed Female Chorus in Benjamin Britten’s The Rape of Lucretia. In spring 2017, Ms. Aimé performed the roles of Euridice and Amor in Orfeo ed Euridice (on alternate performances) and the role of L'opinion publique in Orphée aux enfers. Receiving her bachelor’s degree in vocal performance at Oberlin Conservatory, Ms. Aimé performed Gretel in Hänsel und Gretel and Rosalinda in Die Fledermaus. She also sang the role of Lady Macduff in Bloch’s Macbeth at Manhattan School of Music.

Ms. Aimé has been privileged to perform in several recitals at Weill Hall at Carnegie Hall; performances include "Meine Lippen," “C’en est donc fait” from La Fille du Régiment, “Csardas” from Die Fledermaus, and “Gretchen am Spinnrade” by Schubert. Ms. Aimé was also invited to perform at TedX Nashville in a presentation on music business following the success of her Carnegie Hall debut. Most recently, Ms. Aimé had the lead roles in two operettas for Concert Operetta Theatre in Philadelphia: Queen Maria in Der Seekadet and Titania in A Trip to Africa.

Repertoire for Ms. Aimé also includes scenes performed on stage: Juliette in Roméo et Juliette, Violetta in La Traviata, Fiordiligi in Così fan tutte, Mimi in La bohème, Pamina in Die Zauberflöte and Leïla in Les pêcheurs de perles.

Summers have included both studying and performing: As a Gerdine Young Artist at Opera Theatre of St. Louis, Ms. Aimé covered the role of Denyce Graves’ child in Champion and performed in Il tabarro, Pagliacci, and The Kiss. At Academy of Vocal Arts’ Russian Opera Workshop, she sang the title role of Tchaikovsky’s Iolanta.  As a concert artist at the Oberlin in Italy program, she performed 15 concerts across Tuscany, including the prestigious Tournabuoni in Florence. In addition, Ms. Aimé was asked to perform in an Italian film documentary while living abroad. With Trentino Music Festival in Italy, , she performed the role of Noémie in Cendrillon and covered Pamina in Die Zauberflöte. In 2018, Ms. Aimé will perform with Miami Music Festival in July in Rondine, and in August she will perform the roles of Dame/Knabe in Die Zauberflöte at Weimar Music Festival.

Outside of her degree work, Ms. Aimé has studied with Ruth Falcon and coached extensively with Danielle Orlando, Miah Im, Peter Nilsson, and Christopher Cano.  At Oberlin Conservatory, her instructors included Lorraine Manz and Jonathon Field, and at Maryland Opera Studio, she studied with Linda Mabbs, coached with Justina Lee and her director, Craig Kier. Ms. Aimé is currently studying with Manny Perez.